Why ‘The Sopranos’ Season 3 Ended With Songs in Italian, French, Chinese, and Spanish

When David Chase thought of music for use The Sopranos, he did not always turn to songs that he regarded as great writings. Chase knew that life is not like that: Sometimes you are in the pizza place and you hear a song that you do not like. But you hang out and eat your pizza anyway.

That at least partly explains why Chase chose “Don’t Stop Believin ‘” for the last series. When he recounted the songs he had in mind for that last scene, members of the team immediately – as if embarrassed – took the Journey route. So he thought it would work well.

In the last 3 seasons, Chase had a completely different motivation. The final scene, which follows the funeral of Jackie Aprile Jr. (Jason Cerbone), featuring Junior Soprano (Dominic Chianese) taking the stage to sing “Core ‘ngrato” (“Ungrateful Heart”) for the mourners in attendance.

It brings tears to the eyes of most people in the room. On the surface, it’s just like a sentimental song sung by an old man in a slightly pre-written way. But Chase had a particular motivation for the introduction of the track, which was followed by sad songs in French, Chinese and Spanish before the credits went out.

David Chase had 4 foreign language songs in the last episode of ‘The Sopranos’ Season 3

Dominic Chianese singing
Dominic Chianese will be performing at the Writers Foundation Foundation Gala 4 gala in 2013. | Mike Coppola / Getty Images for Writers Index Table 4

If you stop paying attention, season 3 Sopranos finale music options could easily slip by you. Chase cuts the sound in the middle of Junior’s performance of “Core ‘ngrato.” Then comes a French voice on the soundtrack.

That voice is by Lucienne Boyer, who sings “Parlez-moi d’amour. That translates as “Talk to me about love.” In short, it’s an equally sentimental song. It won’t last long, though. Before the verse ends, the music cuts to “Wondering,” a song sung in Mandarin with piano accompaniment.

The camera continues to shower around the room at various Sopranos family members and friends. And after a few bars of Chinese music, another song cuts in: “La Enramada” by Los Tres Ús. “As an errant bird I will live,” the singer sings in Spanish. “Looking to end my pain. And with the desire of your love I die. ”Then the credits roll mercifully.

Chase wanted to make a point about the way music is used manually all over the world

Steven van Zandt and James Gandolfini in 'The Sopranos'
Steve Van Zandt (L) & James Gandolfini will play in a scene from ‘The Sopranos.’ | Anthony Neste / LIFE Photo Collection through Getty Images

In a 2005 interview Chase offered for Martha Nochimson Dying to Belong, the Sopranos the composer made it clear that he was not trying his production ability to get beautiful songs on the soundtrack. He wanted to show how music can be used in the most practical way – and how everyone does it.

“That singing thing is about how people all over the world engage in true sentimentality,” Chase said, via Autopy Sopranos. “Everyone loves a good shout. […] It also has something to do with entertainment, film entertainment. Music can be used in such a flexible way. ”

As for Junior being a messenger – and thus inspiring so many tears – Chase did just that for a reason. “Junior, the most self-sufficient character in the team, is pouring out his heart,” Chase added. Dying to Belong. “That didn’t mean anything. Just to move on in the moment. […] This was to make the audience laugh about how they handle them every day. ”

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