‘The Office’: What Scene From ‘The Office’ Did Critics Compare to ‘The Graduate?’

End of 1967 film The graduate one of the most memorable (and oft-parodied) memories in film history.

Benjamin Braddock, a recent college graduate, played by Dustin Hoffman, and Elaine Robinson (Katharine Ross) – the daughter of his older married girlfriend, Mrs. Robinson (Anne Bancroft) – are on the run from her wedding together behind a bus. Their dream has come true and the mourners are confused, they both point wildly at first, before their expressions move to more calm ones.

End of one NBC program The Office – “Two weeks,” the 21stst program in season 5 – featuring a similar moment between Michael Scott (Steve Carell) and Pam Beesly (Jenna Fischer). After Michael decides to leave Dunder Mifflin and start the Michael Scott Paper Company, Pam jumps on a boat impulsively as well. Critics have noted the nod to The Graduate At once.

Katharine Ross and Dustin Hoffman in 'The Graduate'
Katharine Ross and Dustin Hoffman in ‘The Graduate’ | Michael Ochs Archives / Getty Images

Michael will retire after a new Vice President takes office

In the fifth season of The Office, Idris Elba joined the team for a recurring role as Charles Miner, the nephew, sometimes condescending the new Vice President of Northeast Sales.

Needless to say, Michael does not respond well to Charles’ new role in authority. He gave his two-week warning at Dunder Mifflin as a result of Elba’s first episode of the series, “New Boss. ”

The following program, “Two Weeks,” shows Michael struggling to figure out what to do after his urgent decision to suspend him after 15 years with Dunder Mifflin. He discovers, especially in a recession, that he has few options or expectations.

Idris Elba on 'The Office'
Idris Elba on ‘The Office’ Chris Haston / NBCU / NBCUniversal Photo Bank via Getty Images

The vision was to show Pam’s desire to be the star of her own life

Fischer’s character was often portrayed as feeling “locked up” in his life. From her long unrelated association with Roy Anderson (David Denman) to her fears of attending the Pratt Institute to study graphic design, Pam often lacked confidence and conviction.

She was also afraid of taking risks, preferring to stay calm and not rock on the boat. Aaron Shure, who wrote “Two Weeks,” revealed that the writers were arguing strongly about Pam’s decision to leave Dunder Mifflin and get on with Michael’s new project. Eventually, they decided that Pam should finally go out on her own and wrestle with what she really wants.

“It’s about trying to find out what she wants in life,” Shure said OfficeTally of the writers’ final decision.

Steve Carell and Jenna Fischer
Steve Carell and Jenna Fischer Paul Drinkwater Photo Bank / NBCU

Critics immediately noticed the similarities between the scenes

Some critics have noticed a parallel between the ending scene in “Two Weeks” – created by the programme’s director, Paul Lieberstein – and the 1996 film Jerry Maguire. After shooting Jerry (Tom Cruise) and deciding to launch his own sports club, Dorothy Boyd – a single mother played by Renée Zellwegger – is the only employee who agrees to take the risk, like Pam.

“Pam will be with him, the Renée Zellweger to Tom Cruise,” Andy Shaw added. Fodder Tbh in a review of the program, says: “They walk out of the car park side by side, even though Pam’s face goes from upbeat to ‘Hmm, what did I do?”

Naturally, other critics could not help but notice the node The Graduate at the end of the section.

“What raised the program to something very special was the Pam and Michael material at the end,” wrote Alan Sepinwall. The Star-Ledger of the way the scenes mirrored each other. “Michael and Pam are delighted to tell Jim that they are in the middle of a company meeting, and then [the] end-of-The graduate a bullet of them walking away, as you can see their giddiness instead of realizing that they have both walked away from secure jobs in a bad economy to start a business that has little chance of success. ”

Sepinwall, like other critics, praised Fischer and Carell for their work in “Two Weeks.” Their rapid transition from disillusioned to fearful and fearful of their future was unpredictable – and made for a much stronger arc as the story of Michael Scott’s Paper Company unfolded.

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