Viola Davis Regrets Her Oscar-Nominated Role in ‘The Help’

Viola Davis is a legendary actress who has won an award-winning collection for her stunning portraits that often go against the grain. The longtime actor has revealed a wide range of abilities that go from stage to big screen to television.

She performed in How to get away with murder iia helped stand out for the prime time crowd, but she has many other special duties resumed. One of them regrets, however. Despite earning praise for the show, Davis wishes she had not agreed to go in. The Help.

Viola Davis has won many awards

Viola Davis
Viola Davis | Alberto E. Rodriguez / Staff

Among his great achievements, Davis has gained recognition as the first Black woman to win the “Triple Crown” of acting. This performance refers to winning Tony (for stage acting), Primetime Emmy (for television), and Oscar (for film).

This special award was only achieved with a small number of stars. Mar Ranger reports, only 24 actors have won all three, and Davis ’performance is put on the list by Al Pacino, Rita Moreno, and Jessica Lange.

Davis has won two Tony Awards – one for 2001 King Hedley II and another for a platform production of Fences in 2010. In 2015, she added a second point to the crown with her Emmy for Lead Actor in a Drama Series for How to get away with murder.

Finally, 2016 came together when she took home the Oscar for Best Actress for Film Production of Fences.

‘The Help’ was a successful but controversial film

Over the years, Davis has played many parts, and certainly not all of them have been as successful as her Oscar and Emmy – winning efforts. Early on, Davis starred in lesser-known 1998 TV films than 1998 Grace & Glorie or had small parts as a policeman in 2001 Ceit & Leopold.

Before mid-to-end, however, Davis had bigger roles including a recurring part on the TV series Our City and another entered Law & order: Special Victims Unit. Her role in the acclaimed 2008 film Touch she helped show off her dramatic chops, and it was clear her star was growing.

In 2011, she took part The Help, a commercially successful film that was well received by many audiences but also sparked a lot of controversy.

The film features Emma Stone as Skeeter, a young writer who returns to her Mississippi city from the 1960s and decided to write a book about the Black women who spent their lives working in wealthy white homes. Her motivation for the job comes from interviewing her friend Aibileen’s housewife, but she finally talks to several women who share their stories – they all make her -into the book and finally brings some of the embarrassing treatment that goes behind closed doors into daylight.

While the story about racism getting its income had a good ending, many anti-racism activists raised an issue about it. Mar USA today explaining: “The 2011 film is directed by Tate Taylor, a white man, based on a 2009 novel written by white woman author Kathryn Stockett, which focuses on white voices and characters more than the voice of the staff black domestic. ”

As well as not focusing on black voices and scenes, the film also tended to turn the Black characters into overly simplistic portraits of domestic servants, a picture that has been a trope for black characters in Hollywood for some time. long.

Viola Davis regrets taking part in ‘The Help’

Davis played a key role in The Help like Aibileen, the housewife who opens up to Skeeter first. One of the most memorable scenes – repeated relentlessly both passionately and homosexually – features Aibileen telling the young child she cares for: “You are tough, you are kind , you matter. ”

Davis received rave reviews for her portrayal of the wrong domestic worker, but she has regretted taking part.

Mar E! reports, Davis says she has nothing but respect for the other actors she worked with and that she has a lifelong friendship from the film, but she regrets how the story was told. She said: “At the end of the day I felt it wasn’t the voices of the maidens. I know Aibileen. I know Minny. They are my grandmother. They are my mother. And I know if you make a film where the whole foundation is, I want to find out what it’s like to work for white people and to raise children in 1963, I want to hear how you feel about it. I never heard that in the course of the film. ”

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