Ed Sullivan Owes the Success of His Show To His Off-Screen Talents

Many of the most famous television guests are successful, engaging, personal and celebrity. But that was not the case for one of the most iconic TV shows in history.

Ed Sullivan Show popular and iconic had brought many of the biggest music stars to American audiences. While the show is a surefire part of television history, that was useless because of Sullivan ‘s hospitality abilities – his talents shone higher.

Ed Sullivan started out as a journalist

Ed Sullivan
Ed Sullivan | Standard Evening / Hulton Archive / Getty Images

Before the stars turned on Ed Sullivan Show, Sullivan worked as a newspaper journalist. He started as a sports writer and later wrote a column about Broadway and showbusiness for the New York Daily News. Given the size of his column, he became famous for discovering and inspiring new actors.

Around the same time, he also began doubling down in a vaudeville theater, performing several charity performances during World War II. His time with vaudeville would further influence Sullivan ‘s commitment to hosting a truly mixed show.

Sullivan was an extraordinary host

Sullivan caught the eye of CBS officials while he was ritual master for the Harvest Moon Ball, which was broadcast on the network. They gave him his own show, which he was originally on Town toast after his popular newspaper column. The first show aired on June 20, 1948. It featured a number of acts, including a pianist, a boxing referee, a singing firefighter, composers Rodgers and Hammerstein, and actors Dean Martin and Jerry Lewis.

It has been renamed Ed Sullivan Show in 1955. While his show was entertaining, Sullivan was on screen a strange, stone-faced host.

“Hosts are often a charming and camera-enabled speech display, but it may not be the safest business screen. Ed Sullivan was just the opposite – pasty in the bright lights, mobile in his stance, and famous for incorporating concepts and monologues, ” Ed Sullivan Show website explaining. “Ironically, that high level of discomfort helped to develop Ed’s cult. There was just something new about a strange guest, and like a bender fender on the side of the road, people couldn’t avoid their beard. ”

But that hasn’t stopped millions of viewers from tuning into his show week after week.

Sullivan was more talented behind the scenes

Through it Ed Sullivan Shows The 23-yearrun, Sullivan stayed specifically to put together a mixed show that enjoyed audiences of all ages. Despite his critics, Sullivan had a knot for seeing new talent and his finger was always on a beat of the kind of acts his audience wanted to see.

“They’ve been trying to get me out of the box for years and they can’t do it,” Sullivan said in 1968, according to the Saturday afternoon post. “My show has been going on for all these years because it’s a great show. I run it, and I know what the people want. “

Ed Sullivan Show there was a mixture display in all senses. It ranged from rock bands, classical musicians, and comedians to opera singers, ballet dancers, and circus acts.

Many of the acts went on their first American television show or had little information on them before they appeared on the show, including Dick Van Dyke, The Rolling Stones, Hank Williams, Jr., and famously , Elvis Presley and The Beatles.

Ed Sullivan found the Beatles at an airport

On February 4, 1964 each Me-Tbh, the highest number of 73 million Americans Ed Sullivan Show to see the Beatles’ first live show on American television. This was all thanks to an opportunity meeting at an airport. Sullivan and his wife happened to be passing through Heathrow Airport in London when he saw a large crowd of teenagers waiting on the tarmac.

They were all hoping to catch a glimpse of the Beatles, who were returning from Sweden. Sullivan realized that it was the same kind of frenzy surrounding Elvis Presley, and decided he wanted to keep them on his show right away. The Beatles appeared three times in a row Ed Sullivan Exhibition, officially launching a British invasion that would take control of 1960s music.

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